Mixing / Production

The ultimate one‑man band, Brazilian artist Ricardo Bacelar uses layers of drums, percussion, guitars and keyboards to build up dense immersive mixes.

A good real‑time analyser can draw attention to what our ears miss, and with multi‑channel formats that second opinion can be invaluable.

Immersive audio is a massive opportunity — if you’re equipped to take it. Here’s what you’ll need to do to make your studio Atmos‑ready.

Immersive audio is helping Jean‑Michel Jarre implement a distinctly French musical vision, inspired by his own mentors.

Grammy Award-winning engineer Bob Clearmountain details his unique approach to mixing music in Dolby Atmos using an analogue desk.

Can a legendary engineer create immersive audio mixes without giving up his beloved SSL console? Of course he can!

For Norwegian engineer, producer and record label boss Morten Lindberg, immersive audio begins at source.

Working in immersive audio can be intimidating even for experienced professionals. Caroline Hilton’s team at Universal Music provide the help that mix engineers need to make that transition.

We show you how to get started in the brave new world of Dolby Atmos, using Logic Pro.

Taking a chance on immersive music has paid off handsomely for producer Stan Kybert, who has reinvented himself as one of the UK’s busiest Atmos mixers.

Leading mix engineer Andy Bradfield shares some of the lessons he’s learned in getting to grips with Dolby Atmos.

We talk to the people who are creating real‑world Atmos content, starting with Canadian super‑producer Greg Wells.

David Gould, Director of Audio Content Solutions at Dolby Labs, talks to Hugh Robjohns about immersive audio and how Dolby Atmos works.