Whether it's getting rid of the audio you don't want or improving the audio you do want, skilled editing can be the key to making your multitrack project sound polished.
Taylor Swift has become country music's biggest mainstream star, thanks in part to a stellar production team. Producer Nathan Chapman and mixer Justin Niebank lift the lid on Swift's latest hit album, Speak Now.
Neil Young has made his share of experimental albums, but his latest might be the most extreme, thanks to Daniel Lanois' revolutionary approach to live dub mixing.
Our Mix Rescue expert dips his toe in the Studio SOS waters this month, as he visit's a reader's studio, sorts out his monitoring, and takes him through strategies to improve his mixing.
Today's multitrack software packages give us endless flexibility to manipulate the audio we've recorded, but the possibilities can be confusing to begin with. We introduce the tools of the audio editor's trade...
In 2005, a stroke left Edwyn Collins paralysed and unable to remember how to use any of his amazing collection of vintage gear. Together, he and his recording partner Seb Lewsley relearned the studio from scratch.
Phil Collins began recreating the classic Motown sound as a form of therapy. With the help of engineer Yvan Bing, the results gave Collins his first number one album in 17 years.
Spending thousands on fancy gear won't get you anywhere — at least, not unless you spend some time sorting out and getting to know your listening and recording environments...
Thirty years after Led Zeppelin ended, Robert Plant has reached a second career high. His latest hit album was tracked and mixed by Mike Poole, using a mouth-watering selection of vintage equipment.