Once again, Mix Rescue finds that the arrangement and harmonic structure of the song makes it difficult to mix. But we get by... with a little help from our online friends!
Transforming Peter Gabriel’s Scratch My Back into an impressive live experience required an orchestra, a team of top engineers and just the right selection of gear.
Vintage synths are perfect for sampling, and modern multisampling software makes the process easy and creatively rewarding. We show you how it’s done in our in‑depth guide.
Bass trapping can go a long way towards solving low-frequency problems in small rooms — but so, too, can monitor placement, as we find out in this month’s Studio SOS...
The Foo Fighters could have gone to any studio on the planet to record their eagerly awaited album Wasting Light. They chose their frontman Dave Grohl’s garage...
Bruno Mars is the year’s hottest pop star, and one‑third of ace production team the Smeezingtons. Fellow Smeezington Ari Levine reveals how they created his hit album in a modest LA studio.
It’s amazing how far studio software has come on in the last decade, as this month’s Studio SOS candidate found out when he upgraded his ageing Logic‑based PC system...
Even once you’ve got to grips with your camera and today’s easy‑to‑use software editors, there’s still the small matter of creating an edit that truly fits the song...
Mercury Prize winners the xx were a band whose mimimalism tempted producers to do too much. By remaining faithful to the band’s own sound, Rodaidh McDonald succeeded where others had failed.