John Forbes talks to SOS about how he became musical director for Ne-Yo, creating live arrangements for one of the world’s top R&B artists using recorded parts.
Twenty-five years ago, studio legend John Wood retired from the music industry. In a rare interview, he explains why he’s making a comeback, and lays bare the techniques behind some of his greatest recordings.
Recording gigs can be challenging, particularly given the constraints imposed by typical small and medium venues. But capturing a great performance, complete with all the atmosphere of the night, can be a hugely rewarding experience.
Carl Cox’s latest album is available only to those who purchase a uniquely coded USB pen drive. Is this an idea that will turn the tide against file‑sharing?
Fifty years ago, Wayne Moss created a studio in his Nashville garage. And while big-money, purpose-built complexes have come and gone, Cinderella Sound still thrives today.
The creation of Beyoncé’s album 4 involved 10 studios and almost 20 producers. The one constant, apart from the singer herself, was recording engineer DJ Swivel.