Mixing / Production

With a career that now spans 40 years, Supple has worked with artists across a wide range of genres, including Coldplay, Pet Shop Boys, Morrissey, Suede, U2, Spandau Ballet, Elbow and Kylie Minogue, to name but a few.

Adam Thein mixed Djo’s second album entirely on headphones — including a hit that went viral twice and topped charts five years after its release.

Songzap aims to turn your iOS device into a compact demo studio — and the latest version promises headphone‑free recording.

Emmally Parsons, aka e.m.arson, is a British producer and musician who blends sampling, electro‑acoustic instrumentation and sonic manipulation in extraordinary ways.

These audio files accompany the April 2026 Mix Rescue feature in Sound On Sound magazine.

New arrangements, new mixes and new masters present an album in a fresh light — and offer an escape route from a sonic trap.

Award‑winning American producer, engineer and mixer Jacquire King has an impressive CV that includes the likes of Kings Of Leon, Buddy Guy, Shania Twain, Tom Waits and You Me At Six, among many others.

British duo Space Primates have pivoted from wannabe session guitarists to top‑tier K‑pop producers, with impressive results!

Can Softube’s Flow Mixing Suite cover all your mix processing needs within a single plug‑in collection?

SOS For Artists has the sounds and tools you need to craft some deliciously chilled lo‑fi beats. Here's how...

Mandy, Indiana are a four‑piece band from Manchester via Berlin, made up of Scott Fair, Valentine Caulfield, Simon Catling and Alex Macdougall.

With the right tools, you can capture a good vocal take in most rooms. And if you can’t, AI processors are opening up new possibilities...

Professional producers Chevy One and Gareth Young talk to Julian Rodgers about the advantages of a hybrid hardware and digital studio setup.

Legendary engineer Phill Brown has worked with the biggest names in music, from Led Zeppelin and David Bowie to Cat Stevens and the Rolling Stones. Asked to choose a favourite sound from his vast catalogue, he nominates the drum sound on ‘After The Flood’, from Talk Talk’s 1991 album Laughing Stock.

Yungblud capped a triumphant 2025 with a hit collaboration with Aerosmith. Long‑term producer Matt Schwartz was behind the desk.

Kevin Paul talks with Felipe Gutiérrez about his early career working at Soho Studios, Konk Studios and Mute Records. Their conversation explores the skills required to become a successful sound engineer.

Eddie Bazil demonstrates creative uses of advanced automation as a musical tool in the DAW, showing how automation can add movement, expression and musical detail.

Asked to nominate a favourite sound from his vast back catalogue, Jeff zeroes in on the drum recording for Shania Twain’s 1997 hit ‘Man! I Feel Like A Woman’.

If there was a monitoring system that was reliable, affordable and sounded the same everywhere, would you use it for mixing? Well, there is — and you probably already own it.

Songwriter, producer and musician Carter Lang has built a stellar career on collaboration and a love of obscure hardware.