Paul White and Hugh Robjohns talk us through four essential studio effects that every music producer or mix engineer needs to know for creating an effective mix.
Daniel Moyler is a London‑based mixing and recording engineer who when asked to dissect a favourite sound, focuses on the drum sound from ‘Crowbar’ by Frank Carter and the Rattlesnakes.
The acclaimed mix engineer with credits including The Beatles, Beyoncé and Ed Sheeran is attempting to bring his expertise to a much wider audience through Spike AI.
Mix Engineer Caesar Edmunds talks to Kevin Paul about his route into the industry via formal education at LIPA, before gaining work experience with Alan Moulder at Battery Studios.
Audio Design Engineer Andy Bereza founded Allen & Heath Mixers before working for TEAC/Tascam, where he conceived the ground-breaking TEAC Portastudio.
An engineering residency at Spotify’s Noteable Studio helped Abraham realise her passion and talent for vocal production. Nick Cave and Warren Ellis, Elton John, Little Mix rank amongst her credits.
English‑born producer and mix engineer Warne Livesey has worked with a wide array of musical artists from Australian band Midnight Oil to Scottish pop‑rockers Deacon Blue to blue‑eyed soulster Paul Young.
Music Producer and DJ Danny Briottet gives a fascinating insight into his formative years, including the global musical influences that shaped his career.
Liverpool‑based Tarek Musa caught his first major break, circa 2016, as drummer and vocalist of Manchester band Spring King. Musa’s production career has since taken in the likes of Circa Waves, the Big Moon and Gengahr.
Back in SOS July 2011, Mike Shipley said this about the producer Mutt Lange: “With Mutt, we always have programmable equalisers where we can EQ every word..."