At just 26, Katie May has already worked with some of the biggest names in the industry. She trained at Real World Studios in Wiltshire, UK, where she is still based.
Songwriter and producer Charlie Handsome has drawn on his huge array of influences to reinvent modern country music with Morgan Wallen and Post Malone.
Grammy Award-winning producer Matt Lawrence gives us a fun insight into his early years in the industry as an assistant producer, and offers a valuable selection of tips and ideas for launching a successful studio career today.
Krust, also known as K or DJ Krust, chats about his early involvement in the Bristol music scene in the late '80s to early '90s, the development of the Drum & Bass sound, and setting up the Full Cycle and Dope Dragon labels with Roni Size.
Daniel Moyler is a London‑based mixing and recording engineer who when asked to dissect a favourite sound, focuses on the drum sound from ‘Crowbar’ by Frank Carter and the Rattlesnakes.
Paul White and Hugh Robjohns talk us through four essential studio effects that every music producer or mix engineer needs to know for creating an effective mix.
The acclaimed mix engineer with credits including The Beatles, Beyoncé and Ed Sheeran is attempting to bring his expertise to a much wider audience through Spike AI.
An engineering residency at Spotify’s Noteable Studio helped Abraham realise her passion and talent for vocal production. Nick Cave and Warren Ellis, Elton John, Little Mix rank amongst her credits.
Mix Engineer Caesar Edmunds talks to Kevin Paul about his route into the industry via formal education at LIPA, before gaining work experience with Alan Moulder at Battery Studios.
Audio Design Engineer Andy Bereza founded Allen & Heath Mixers before working for TEAC/Tascam, where he conceived the ground-breaking TEAC Portastudio.
English‑born producer and mix engineer Warne Livesey has worked with a wide array of musical artists from Australian band Midnight Oil to Scottish pop‑rockers Deacon Blue to blue‑eyed soulster Paul Young.