Mixing / Production

These audio files accompany the Faking A String Section In Your DAW workshop in SOS July 2023 issue.

Clark reveals how he got signed to Warp Records, his recording and production workflow, and how Thom Yorke ended up as a guest vocalist on his latest album, Sus Dog.

A broadcaster’s personal guide to getting a great vocal sound at Eurovision. Or in a pub.

Three‑time Grammy Award‑winner Tom Lord‑Alge has an extensive list of multi‑platinum landmark albums and singles to his credit...

Analogue tape played a key role in the production of Depeche Mode’s Memento Mori album — even though it was recorded to Pro Tools.

Four‑time Grammy winner Michael Romanowski is one of very few people offering mastering services for immersive music.

Born in the UK, engineer and producer Mikko Gordon grew up in Helsinki before returning to study at Goldsmiths, University of London. Since then he has formed a close working relationship with Radiohead super‑producer Nigel Godrich...

Attack‑enhancing plug‑ins can transform your mix — but they need to be used wisely!

These audio files accompany the 'Using Transient Processors' workshop in SOS June 2023 issue, and feature transient processing...

Dahi talks about his production process, and breaks down his influential production of 'Gravity' for Brent Faiyaz featuring Tyler, the Creator.

Grammy-winning Samuel Dixon picks his favourite sound from the records he’s made, focusing on Australian singer‑songwriter Meg Washington’s track ‘Switches’.

High‑end outboard is an essential part of Prash Mistry’s mixing and mastering setup — as heard on Kali Uchis’ hit album Red Moon In Venus.

Born and raised in Colombia, engineer and producer Maria Elisa Ayerbe speaks to SOS about her career and influences.

Ricky Damian is a Grammy Award-winning Engineer/Producer who’s worked with artists such as Mark Ronson, Lady Gaga, Sam Smith, Adele, Dua Lipa, Yebba, Jorja Smith and Sampha.

Metro Boomin’s right‑hand man is championing old‑school mixing techniques in the 21st Century.

As their new album reveals, there’s a lot more to the minimalist, abrasive sound of Sleaford Mods than meets the ear.