
The Very Loud Indeed Co. Anniversary Sale
In celebration of their fifth anniversary, The Very Loud Indeed Co. have announced a sale across their range of cinematic scoring and sound-design tools.

In celebration of their fifth anniversary, The Very Loud Indeed Co. have announced a sale across their range of cinematic scoring and sound-design tools.

The first formal collaboration between the two brands will see a selection of the UK-based sampling experts’ virtual instruments made available within Akai’s MPC ecosystem.

Revealed at The NAMM Show 2026, Shure’s new KSM mic series promises to deliver “lifelike fidelity” in a thoughtfully engineered design that’s been crafted with musicians and studio professionals in mind.

Metamorph V1.1 introduces the ability to import third-party RVC (Retrieval-based Voice Conversion) models, opening up a whole host of new creative possibilities while maintaining the security and privacy offered by the softwares offline local processing.

Recorded during the sessions for the developer's Panorama Acoustic Kontakt library, Pure Nylon delivers the same warm tone and musical detail, but reimagined for Soundbox’s MPE-capable platform.

Described as “a musician by your side”, the latest addition to the Celemony line-up brings together a huge collection of musical phrases played by some of the world’s top session players, all of which can be adapted to play in any song, regardless of its chord sequence, tempo or groove.

Nostalgia Reborn brings together more than 4500 samples drawn from over four decades of electronic instruments, delivering an all-in-one genre-spanning collection that promises to fit into just about any modern production.

The IPS Training Weekend 2026 will include a whole host of talks led by industry experts, along with spatial audio listening rooms and a number of lounge and bar areas for socialising and networking.
The area behind an acoustic baffle on the opposite side from the sound source where the sound level is greatly reduced due to sound diffracting around the baffle.
A signal processing technique first conceived by Alan Blumlein to correct for spatial imaging anomalies inherent in stereo microphone arrays and loudspeaker monitoring. All shuffling processes involve frequency-dependent adjustments to the width of a stereo signal at different frequencies.