Inversion Therapy
Cubase 8 can help you experiment with different chords and voicings to fake a good performance.
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Cubase 8 can help you experiment with different chords and voicings to fake a good performance.
While we’ve all been sitting waiting for the next big thing in studio recording, there’s been a quiet but very significant revolution going on literally beneath our feet in the world of effect pedals.
Electro-Harmonix have always had a good reputation for their pitch-shift effects. How does their latest one compare?
The Faderfox SC4 combines a capable MIDI controller with a step sequencer in one compact box.
Kendrick Lamar’s To Pimp A Butterfly is one of the most ambitious hip-hop albums of recent years. Derek Ali was Lamar’s right-hand man during its making.
KRK’s distinctive–looking Rokits have long been popular in home studios. How does the newest generation fare?
Kush Audio have a knack of making forward-looking products that exude vintage vibe — and this remarkable compressor is no exception.
After last month’s Leader column outlining the difference between products we’re asked to buy and products we actually need, I realised I’d missed out the really big one.
Many gear manufacturers offer courses in using their equipment, but what should you expect to gain from them, and what do they offer the seasoned live-sound veteran?
We get to grips with Live’s deceptively powerful Analog synth.
Take greater advantage of Drum Machine Designer in Logic Pro X by customising Smart Controls.
This page contains a directory of all media pages for June 2015.
One of the world’s most highly regarded mic-preamp designs is now available to go.
The ability to take criticism is a vital skill for the media composer. The ability to make sense of it is much harder to learn.
The long tradition of ‘testing’ songs out on the public has found an unlikely new home...
The quality and variety of orchestral string libraries continues to grow. Which one best suits your needs?
Unless you are using pre–recorded loops, there is still the rather significant task of building convincing performances and arrangements. Ensemblia attempts to give the user a helping hand.
Bloody Nightmare, as its name suggests, is a collection of over 550 horror–type noises aimed at sound designers who need to create chills and scares.
Recording 28 songs in five days is no mean feat. So what sort of results can you get, and what compromises are involved?