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Cubase: Real-Time MIDI Effects vs Audio FX

Cubase Tips & Techniques

Cubase SX has a wide selection of real-time MIDI effects that can often substitute for the more processor-hungry audio effects, as well as opening up other creative possibilities.

Published January 2005
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Demo Doctor: January 2005

Reader Recordings Analysed

Think your own music is good? Listen to these tracks from SOS readers and see whether you agree with the good Doctor's prognosis...

Published January 2005
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ESI Pro Julia

PC/Mac Soundcard

With its clever reversible analogue I/O section plus comprehensive, multi-client driver support, ESI's Julia is not your average stereo soundcard.

Published January 2005
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Tascam Gigastudio 3

Software Sampler [PC]

Version 3 of Gigastudio has taken a long time to arrive, and plenty of other software samplers have come along during the wait. Does it still have what it takes to see off the competition?

Published January 2005
Paul White.
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Remake Remodel

Leader

Editor-in-Chief Paul White reveals the thinking behind his recent personal studio clearout/refit.

Published January 2005
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Echo Layla 3G

Multi-channel PCI Audio & MIDI Interface [PC/Mac]

Echo's range of computer hardware has always been popular with musicians, and the company have now launched the third generation of their Layla and Gina multi-channel audio and MIDI interfaces.

Published January 2005
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Logic: Synchronising Sequences To Live Audio

Logic Tips & Techniques

Synchronising sequences in Logic to live audio tracks can really help give your music the edge, but what's the best way of doing this? We look at the options, and weigh up their pros and cons.

Published January 2005
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Open Labs Open Synth Neko 64

Computer-based Keyboard Workstation

It's a great concept — a keyboard synth that can run computer plug-ins. Open Labs have created one by putting an entire PC inside a keyboard. But is it a recording revolution, or an overpriced processor in a fancy case?

Published January 2005
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Processor Wars

PC Notes

Intel abandon their 4GHz Pentium processor speed target and shift their attention to the dual-core technology first espoused by AMD. Whatever is going on?

Published January 2005
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Concrete FX Kubik

PC VST Plug-in

Concrete FX's plug-ins incline towards the less well-trodden areas of sound generation, and their latest is a wavetable synthesizer that recalls the Waldorf Microwave.

Published January 2005
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Digital Performer: New Ways To Work

Digital Performer Tips & Techniques

DP 4.5 delivers new features that promise to fundamentally change the way users work, as well as offering smaller but crucial enhancements to existing features.

Published January 2005
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Q. How do I make up for poor mic technique?

I recently tracked a female vocalist with a large dynamic range and horrible mic technique. After trying lots of compression and limiting schemes, I have finally resorted to going through each song and manually editing the volume profile...

Published January 2005
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Q. Can I modify my mixing console?

Is it possible to modify a console's channels so that the meters on the meterbridge show the signal level post-fader rather than just after the insert point?

Published January 2005
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Q. Are my finished tracks clipping?

I edit completed mixes in Wavelab on my PC and then normalise them to 0dB and send them via digital link to an HHB Burnit CD writer. My problem is that the volume on the finished CD-R is very quiet when compared to commercial CDs...

Published January 2005
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Pro Tools 6.7: New MIDI Tools

Pro Tools Tips & Techniques

Our new columnist provides the detailed lowdown on a new version of Pro Tools...

Published January 2005
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Max Richter

Recording The Blue Notebooks

Max Richter combines chamber music with ambient recordings, spoken-word pieces and experimental electronica, creating a distinctive and beautiful blend of the traditional and the futuristic.

Published January 2005
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Hot New Sample CDs

Sample Library

Reviews/appraisals of the latest sample CDs: VSL Chamber Strings 6* • VSL French Oboe 6* • Zero-G Akoustik Bass Hitz 6* • PMI Consolidated! 3*

Published January 2005

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