SOUND ON SOUND
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Astonished by the speed of software development, Martin Russ wonders where it's all leading... MOTU Digital Performer.
Multi-band compressors tend to cost a little more but can often produce more natural-sounding level control than standard broad-band compressors. Hugh Robjohns looks at a sophisticated new model from Behringer and tries to restrain himself.
Brian Heywood discusses the powerful new soundcard from Terratec, plugs a couple of musical web sites, and entreats software developers to stop trying to reinvent the wheel...
Hard disk recording is what everyone seems to be talking about, with new systems being released, at all levels of the market, almost every month. For anyone confused about how hard disk recording works, Martin Russ points out a few things you might not have considered...
Clavia have taken advantage of the software-based nature of their virtual analogue Nord Lead to release a comprehensive upgrade, installed as standard in new instruments and available to existing users for a small fee. Gordon Reid checks it out.
Creamware's recently-updated, PC-based TripleDAT system attempts to offer a halfway house solution to those who've outgrown their MPC audio system, but can't afford a professional digital recording setup. Brian Heywood is the cat who gets the Cream(ware)...
Paul White reviews an Uncharacteristically compact mic and discovers that size isn't everything.
There are now more options on the market than ever before for anyone wishing to indulge in hard disk recording and editing. Paul D. Lehrman previews the latest update for the popular Pro Tools system, designed to keep Digidesign on top amidst increasing competition.
LA Audio have taken the best bits from their mic preamps, compressors and equalisers to create a dedicated, single channel mic/line processor. Paul White patches it in.
Paul White tests a new British power amplifier to see if it sounds as good as it looks.
Could this be the most diminutive general MIDI module on the market? Derek Johnson finds out whether small is beautiful...
We've all heard of a modular mixing desks - &mdash but perhaps not where all the modules are rackmounting and can be mixed and matched to form a custom console, or used alone. Hugh Robjohns makes all the right connections.
Eight true stereo simultaneous effects for £300? In the battle to squeeze the best possible performance from budget digital processors, this charming new multi-effects unit has some serious power nestling in its coils. Paul Farrer 'snakes' a look at the Addverb 3 and jumps out of his skin with delight...
Spirit's new baby monitors incorporate some of the design principles used in pro monitors costing many times the price. But have too many corners been cut to keep the price so low? Paul White finds out.
More and more people are choosing digital recording systems, which is creating a spin-off market for valve processors designed to lend a more comfortable warmth to the resulting recordings. Hugh Robjohns looks at an SPL unit being touted as the ideal partner for eight tracks of digital.
A synth's filter plays a major part in defining its sound, and creates the particular character of the best-loved vintage analogue models. Courtesy of its different filter cartridges, the ATC1 aims to be able to change its sound to suit your needs. Paul Nagle plugs in.
The Alesis QS line gets a flagship, with a weighted keyboard, controller features, and an extended sound set. Helmsman Martin Russ finds out whether she's seaworthy...
The TL Audio Indigo range keeps on expanding, with cost-effective hybrid valve/solid state processors emerging for every studio purpose. Paul White discovers that Indigo can be a very warm colour...