SOUND ON SOUND
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Adam Thein mixed Djo’s second album entirely on headphones — including a hit that went viral twice and topped charts five years after its release.
With AI‑powered stem separation on board, JBL’s new portable speaker gives performers the freedom to replace vocals and instruments in any backing track.
Not so long ago, it seemed as though studios would become entirely virtual. Instead, hardware has had a resurgence...
Logic’s new Synth Players add yet more keyboardists to your virtual band.
Want your mixes and masters to have power and impact on streaming services? Then you might want to pay more attention to density and dynamics...
Midifex’s Lujin controller could be just what you need for adding expression to orchestral samples.
Electro‑Harmonix already build a few ‘out there’ pedals, but you’d need the James Webb telescope to see just how far out there the new Atomic Cluster pedal is!
If you like granular effects that are easy to use and easy on the wallet, check out FRCTL’s GRN.
This candid and often humorous autobiography charts the arc of Louis’ career.
Strymon's digital NightSky pedal is now available as a DAW plug-in.
Who’d have thought the humble flanger effect could be made to sound so musical?
Now in its 20th year, Modartt’s Pianoteq software continues to grow and improve.
A ‘four‑dimensional’ wavetable oscillator, the Four Seas can, in its creators’ words, “transform sound exploration into a tactile, intuitive experience” by allowing you to explore wavetables as a ‘three‑dimensional cube’.
Esu’s Trifecta is a multi‑effects module that offers three effects in series, so if you must have granular into ring mod into reverse delay in the one device then you can.
The all‑analogue SW3 expects two disparate signals and offers various ways of splicing them together.
Can you really capture the essence of John Mayer’s finely‑honed guitar tones in software?
Divisimate Core is a welcome extension of Nextmidi’s orchestration software.
Olympia’s annular drum sequencer is going from strength to strength.
Looking to get started in Dolby Atmos? We show you the ropes.
I’ve noticed that the signal coming from the mixer’s direct outs is low, is it a problem of the mixer or the interface?