SOUND ON SOUND
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With Hinton Instruments' AudioCalc, your Atari can earn its keep helping out with essential computations in the studio. Derek Johnson finds it all adds up...
Now that so many plug-ins are available for free or cheap and easy download on-line, it's possible to build up an impressive arsenal of virtual effects without hurting your credit card. Martin Walker homes in on some of the most interesting products on offer for Mac and PC.
With the growth of digital television and affordable solutions for recording audio to picture, many musicians are keen to get into writing and recording for visual media. In this introduction to the series, Hugh Robjohns investigates basic working methods and suggests some system requirements.
Dave Lockwood explains why a Class A valve guitar amp that can muster a mere six Watts is fully deserving of a place in the pages of Sound On Sound.
This month, Martin Walker discovers some new VST instruments and helps you clean up your Registry.
There are now hundreds of software processing plug-ins available to PC musicians, but they come in various types and each behaves slightly differently. Martin Walker examines the various ways to install, manage and automate them, and the problems involved in managing presets.
The MacOS 9.0.4 updater is here — but will it suit everyone? Vic Lennard does a bit of pre-trouble shooting...
Can you believe it? This month Big George is temporarily lost for words.
Computer-based MIDI + Audio sequencers have been popular for several years now, but some people have never been entirely happy using a digital rodent to control their main recording hardware. John Walden looks for ways out of the mouse trap by using key commands in Emagic's Logic.
I recently bought a Roland VS1680EX, and was looking to buy a CD‑R drive to do both backups and masters. I was told...
I know how to wire from unbalanced outputs to balanced inputs using the old '220Ω resistor ploy' but... I am wiring up a '...
I usually quite like reading manuals, incrementally absorbing many simple but valuable facts and concepts in a short...
Paul White takes a newly reincarnated Focusrite classic for a spin in his studio and discovers that sometimes, they do make things like they used to.
When Emu launched their flagship Proteus 2000 sound module last year, they promised a further range of cheaper 'P1K' modules which would cater for special needs, but be expandable to full Proteus 2000 spec. The first of these modules to appear aims to recreate the classic Hammond tomewheel organ sound. Nick Magnus is impressed.
The traditional ways of attracting the attention of record companies are becoming ever more difficult to pursue, and if you don't have a well-connected manager, you might think that you don't stand a chance. As Robin Morley found, however, a little ingenuity and industry knowledge can do a lot for you...
Koblo's software instruments are fun and easy to use, with brightly coloured, single-screen user interfaces. Derek Johnson and Debbie Poyser try out their latest, a virtual drum machine which can be run as a stand-alone application or alongside a MIDI + Audio sequencer.
Hugh Robjohns tries out Roland's updated digital monitors.
Derek Johnson collects £200 as he passes 'Go' on his tour of one of Korg's more obscure vintage boards.
Last month, we examined the frankly scary maths allowing you to predict the audible effects of Frequency Modulation. This time, although the maths gets even tougher, Gordon Reid relates the theory to the practical implementation of FM synthesis on Yamaha's digital synths, as well as modular and non-modular analogues.