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JTS US1000D
UHF Wireless Microphone System
The radio microphone marketplace is becoming a busy place these days, but it's always interesting to look at a new system that aims to provide good-quality performance while being very straightforward to set up and operate.
Published June 2006
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Kenton Pro Solo MkII
MIDI-CV Converter
If you're still using pre-MIDI synths, the chances are you'll already be using a Kenton converter to interface them with your more modern MIDI gear. We check out this upgrade to the faithful Pro Solo...
Published June 2006
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LA Audio Can-D
Headphone Delay
A dedicated headphone delay might seem like a bit of a luxury, but it could make life a lot more pleasant for the working engineer.
Published June 2006
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Full Circle?
Paul White's Leader
Will the day come when we will see our synths and processors as external rackmount gear?
Published June 2006
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Using Logic's Global Markers
Logic Tips & Techniques
Markers have always been available in Logic, but the new Global Tracks feature (introduced in version 7) makes them much easier to use and manipulate than in earlier versions.
Published June 2006
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What Is Class-D Amplification?
The Benefits Explained
If you're under the impression that Class-D amplifiers are just 'three letters worse' than Class-A models, think again: Class-D technology is making an increasing impact on the live sound world by offering more power with less weight than ever before. We find out how and why...
Published June 2006
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Lynx Aurora 16 & AES16
A-D/D-A Converter & Interface [Mac OS X/Windows]
With even the cheapest soundcards now offering 24-bit, 192kHz recording, is it still worth investing in high-end converters? Lynx certainly think so...
Published June 2006
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Mackie CFX16 MkII
16-channel Live Sound Mixer
This compact desk benefits from built-in effects, sturdy construction and low noise. Does it measure up to the Mackie name?
Published June 2006
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M-Audio Axiom 25
USB MIDI Controller Keyboard
Controller keyboards are fitting ever more control facilities into progressively smaller units costing less and less. Is the semi-weighted Axiom 25 M-Audio's best deal yet?
Published June 2006
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Preparing A Performance With Ableton Live
Live Tips & Techniques
They say one step in planning saves two in execution — and that certainly applies to doing a performance with Ableton Live sequencer...
Published June 2006
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Mix Rescue: Ambient Dance Track
Mark Edwards
An ambient dance track gets the Mix Rescue treatment this time, as SOS reader Mark Edwards finds out that less is definitely more.
Published June 2006
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How To Use Modelling Guitar Preamps On Stage
Advice & Techniques
Guitar preamps that use digital modelling technology have found their way into vast numbers of studios. But do they have a useful place on stage, and what do you need to know if you want to use one live?
Published June 2006
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Making A Living From Music For Picture: Part 7
How To Cope With Revisions
What happens when the Director whose work you're scoring isn't satisfied, or demands changes due to events beyond your control? We find out, and also look at writing music for film trailers.
Published June 2006
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Preserve Presets When Upgrading
PC Notes
This action-packed PC Notes gives advice on preserving your lovingly crafted presets when you upgrade audio software, offers ideas on keeping your dongles safe and brings you the usual haul of handy hints and tips.
Published June 2006
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Effective Mixdown With Digital Performer
Digital Performer Tips & Techniques
Your next project might be a four-track demo or a 100-track surround mix for cinema. Either way, at some stage you're going to have to mix it — but with DP on your side, that doesn't need to be a headache.
Published June 2006
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Addressing Latency Problems In Pro Tools LE
Pro Tools Tips & Techniques
One of the best features of TDM-based Pro Tools systems is the negligible latency, or input-to-output delay, while recording. So what is the best way to deal with this problem if you have only an LE system?
Published June 2006
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Q. Are all convolution reverb plug-ins created equal?
Are all convolution reverbs the same? I'm looking to get a decent reverb for my Pro Tools rig, and there seems to be lots...
Published June 2006
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Q. What do the controls on my Preamp do?
I've been looking up information on some external preamps, and I found that most of them have two controls — Gain and Level. Most console preamps have just a Gain control, so what is the Level control for?
Published June 2006
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Q. What microphone should I use for single-mic recording?
I am looking for one big bluegrass microphone! I would like to purchase a high-quality one for recording my band. Can you give me some brand names to investigate and where I can order one?
Published June 2006