SOUND ON SOUND
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I use Sound Forge to record on to my laptop, and until very recently it's been working fine — until an...
Backups may be boring, but if you get your backup strategy right now, there will come a time when it saves your life!
My friend has just built a control room at the rear of his house, and he would like to set up a networked remote...
The crack team of Paul White and Hugh Robjohns have travelled the world solving readers' problems. Here, they down the Hob...
I've never known what the difference is between a passive EQ and an active one. Could you explain?
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RME pass down some of the excellent features of their Fireface 800 to the more affordable 400 model, but have they cut any corners in doing so?
This Rain Recording model is the fastest PC ever reviewed in SOS, and also one of the quietest. Let's take a closer look...
To analogue synth fanatics, the Matrix Pattern Sequencer is one of the highlights of Reason's toolbox.
• Zero-G Soundclash • SonicCouture E-bow Guitar • Ueberschall 60s A GoGo
We take another look at the impressive Portico range, focusing on a compressor-limiter and a unique tape-emulation processor.
Controversial TV-music royalty changes are debated this month by composer Paul Farrer and the Performing Right Society (PRS).
Why wait to fix it in the mix when you can mend MIDI tracks while you're recording them? Sonar's MIDI plug-ins allow you to automatically fix anything from incorrect timing to inconsistent velocities - and more.
Steinberg have drawn on some of the technologies they pioneered in Cubase 4 to create a new entry-level sequencing package.
The SOS crew go hob-nobbing at a stately home this month, and get to grips with the acoustics of a large and lively room.
An AMD-Intel price-cutting war spells savings for the consumer on speedy processors. We consider what you should do now if you're in the market for a new CPU, as well as bringing the latest news from the PC music world.
We made things a little harder by tackling this month's Mix Rescue before a student audience.
I'm just about to get started on quite a big project in my new home studio. I'm a bit concerned about the acoustics of the...
Creating the score for Pirates Of The Caribbean: At World's End required an incredible amount of music technology, and demonstrated why 64-bit computing offers new levels of realism for orchestral sample libraries.
These panels offer a very different approach to acoustics than the usual absorbent foam, so we decided to take a closer look.
To avoid newsstand buyers of the magazine from having to key in long URLs by hand, here are the links to the various MP3 files that accompany the JULY 2007 instalment of Mix Rescue.