SOUND ON SOUND
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Native Instruments' flagship modular software synth has now reached version 4, dispensing with the dongle copy-protection that bothered v3 owners, adding many user-friendly features and allowing even greater scope for personalising your patches.
This deceptively simple recording channel incorporates some very clever circuit design to overcome many of the potential limitations of this type of unit.
For the 2002 album Heathen, David Bowie and Tony Visconti revived one of the greatest artist/producer partnerships in pop history. Following the success of that project, the duo have again worked closely together on Bowie's new album, Reality.
Despite the synth-spangled history of the company, it's been many years since a Roland product ruled the high-end keyboard roost, and 2001's Fantom workstation failed to change this. However, there's much more to the new Fantom S than one extra letter...
With the death of producer Sam Phillips, the music industry has lost one of its greatest pioneers. In an interview given towards the end of his life, he looked back on his work with greats like Elvis Presley, Howlin' Wolf, Jerry Lee Lewis, Carl Perkins, Roy Orbison and Johnny Cash, most of whom were unknowns before they signed to his Sun Records label.
We sample the delights of: Bombay Loops & Sounds **** • Da Nu RnB Hip Hop Two ***** • PMI Yamaha C7 ***
These two-way active monitors provide an upfront sound suited to pop, rock or dance music, at an affordable price.
There's more to plug-ins than audio, as we discover when digging deep into the world of MIDI plug-ins and effects.
Filters are at the heart of many of the weirder sequencer plug-ins, so here we check out what each one has to offer, and how you can obtain weird and wonderful sounds for your mixes.
Interested in Granular Synthesis? This book explains all...
Times change. When announced in 2001, the Chameleon, a reprogrammable DSP unit, looked out of date compared with the software studio concept. But with piracy rife, and software companies being bought out everywhere, the idea of reprogrammable, unhackable hardware now seems quite timely...
The SOS team visit the West Midlands, where Gordon Giltrap's home studio needs help, nestling as it does in the shadow of one of the UK's most powerful TV and radio transmitters.
The baby of Tascam's US range of interfaces dispenses with its big brothers' control faders, but does boast stereo audio I/O with phantom power supplied over USB, as well as MIDI I/O.
As we saw last month, there's much to synthesizing a convincing flute sound — and yet basic analogue monosynths have offered reasonable flute patches for 30 years. Surely the process can be simplified?
TC Electronic's new flagship stereo reverb not only gives you their state-of-the-art VSS4 reverb algorithms, but also emulates a variety of reverbs through the ages.
TC's plug-in powerhouse is now available as an external Firewire-connected rack unit.
A new generation of vocal processors, and a new generation of engineers, confront the possibilities and ethics of digital vocal manipulation.
Liam Watson went against the grain to build a studio with the retro sound he loved. And now that sound is back in fashion, he's had a number one album with the White Stripes.
Business End enables you to have your demo reviewed by a panel of producers, songwriters, musicians and managers drawn from the MPG (Music Producer's Guild).
The Doc offers his diagnosis and cures for another batch of reader-submitted meisterwerks.