SOUND ON SOUND
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How did the 500-series’ first discrete, transformer-balanced full channel strip fare in our tests?
We explore Live 10’s new MIDI Capture and Multi-Clip editing features.
We serve up some fresh ideas for vocal processing using Track Stacks in Logic Pro X.
Quite a few audio companies build separate Bluetooth receivers, but this Alto offering is a little unusual...
Miktek’s T89 dynamic follows a familiar physical format, offering a super-cardioid response and with a frequency range that extends right up to 19kHz.
Mission Engineering’s 529 is designed to convert the 5V of direct current available from any USB power source into the 9V DC used by most of the world’s guitar effects pedals.
Mixing an album can be more challenging than working on songs individually — but it can also be the most satisfying achievement for an engineer.
Formant Filter offers morphing between three different vowel sounds and via parallel band-pass filters, it delivers convincing vocal tones...
Rainmaker consists of a stereo 16-tap spectral delay paired with a 64-tap comb resonator, the latter sporting external triggering options that turn it into a (single-voice) Karplus-Strong synthesizer.
Today’s TV composers have no choice but to operate a Zen studio. Where’s the fun in that?
Welcome to the world’s smallest serious DAW control surface!
AI is yet to find its place in music production — but it’s only a matter of time...
New British company OS Acoustics impress us with their high-performance debut monitor.
The original Polivoks is rare, iconic, nasty and fabulous in equal measure. So how does a modern-day reincarnation compare with the classic?
Some of the most important features of a hardware console are found in its master section. Here’s how to add them to the Pro Tools mixer.
My Soundcraft EFX12 mixer is pretty new, but when I try and use a channel with a microphone, and an insert cable running to an effects loop with various Moog pedals, I get almost no level from the mic. Can you help?
I purchased two Grace Design m201 mic preamps but I’m having trouble understanding how the m201 A‑D converter works...
I finally have a spare bedroom into which I can put some studio gear. Assuming I’ve treated my room acoustically and sound leakage is not a concern, what size of monitors would it be worthwhile me considering?
Cut to the chase with Reason templates.
Rycote's innovative Cyclone wind shielding device has been joined by a range of Stereo Cyclones. We test the MS4 kit with a Mid‑Sides stereo array of Sennheiser MKH30/40 microphones.