SOUND ON SOUND
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We’re decades into the age of the DAW, but outboard channel strips remain popular for good reasons — and there are plenty to choose from.
This pedalboard‑friendly DI interface has been designed specifically for interfacing amp modellers and electronic instruments with PA and recording systems.
Sicilian composer, producer and instrumentalist Donato Di Trapani is best known internationally as synthesist and keyboard player for Paolo Nutini, but he is also the co‑founder and resident producer at Indigo Studios in Palermo, where he and Nutini first met.
Studio One has everything you need to produce professional‑sounding podcasts.
With an understanding of spaced and coincident stereo arrays, we can exploit the characteristics of both — using either established arrays, or by creating our own!
Zero‑G’s popular hybrid scoring toolkit gets a significant upgrade.
Zoom’s smallest LiveTrak ever is a mobile production powerhouse.
A ground‑up reinvention turns SoundFlow from an advanced macro engine into an intelligent, context‑aware virtual assistant.
The latest version of Ozone promises improved AI assistance and adds some interesting mix‑repair options to its powerful mastering toolkit.
The Swiss Museum of Electronic Instruments is the synth wonder of the world.
To mark Sound On Sound’s 40th anniversary, we have put together a list of 40 milestone developments from the history of recording and production, which we’ll be counting down over the next four issues.
With our nu‑disco tune mixed and mastered, we turn our attention to distributing and promoting it...
The SOS team pick their highlights from hardware and software launches from 2025.
Elegantly combining analogue and digital, and balancing programming with performance, the TR‑1000 is the best drum machine Roland have ever made.
Bernard Butler discusses his early steps into music production and how he approaches working with new artists and bands.
Paul White and Hugh Robjohns pick their hardware and software highlights from the gear they've reviewed in the last 12...
Vicky Clarke discusses her experimental approach to sound, from field recording and neural synthesis to AI technologies and spatial audio.
Alchemy’s granular engine is a sonic playground with infinite possibilities!
PSI Audio new monitoring system combines the recently released A326 D-REX with the already powerful A226-MAIN, creating a seven-driver system that’s capable of delivering SPLs of up to 132dB.
Manchester Music City have published a landmark report that aims to help strengthen the city’s grassroots music venues.