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FMR have improved on their classic designs as they turned them into 500-series bargains!
Electric guitars are one of the cornerstones of modern music, but miking them up can prove tricky. We round up some top tips from professional engineers.
When an unknown act such as Sam Smith hits the big time, there's often an experienced producer behind the scenes — like Steve Fitzmaurice...
From humble beginnings, Joey Sturgis has become a leading producer in the highly technical metalcore scene.
Austrian manufacturers Lewitt continue to plough their own furrow, with the latest in their innovative studio microphone range.
NI's Reaktor is the perfect partner for Live...
Need to give your productions a shot in the arm? Here are 10 ways to make a beat in Logic Pro X.
M-Audio's latest budget monitors punch way above their weight.
By designing a signal processing environment that offers endless modulation and routing options, Native Instruments hope to reinvent the way we use effects.
Classic, yet unashamedly modern, Neve's latest analogue console promises seamless integration with the software studio.
We might be used to rapid technological change – but is our audience?
In their ongoing quest for authentic vintage tones, US mic makers Peluso tackle the classic Neumann M49.
Prism Sound's latest interface looks set to dwarf even their legendary Orpheus...
I have a Focusrite Trackmaster mic preamp, and I'd like to know if it will work properly with my Shure SM7B dynamic mic?
I listen to a lot of well-produced material and it all has an inherent sense of space and positioning.
I know it changes settings according to the source material, but how does the 'automatic recovery' function on a compressor work.
I understand that data-compressing audio files is really just chopping out frequencies we think we don't need, but I don't understand what encoders do to go the other way.
The Fireface 802 picks up where its highly successful predecessor left off.