SOUND ON SOUND
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I have a 500‑series setup which includes some mic preamps that I’d like to wire up to a jack patchbay, is it possible to block phantom power?
The Voicecasting Pack bundles a Podcast Pro microphone with a stand and a pair of cabling options, offering an all-in-one solution for a range of recording applications.
There’s a lot of competition in the 500‑series preamp market, but this one offers something a little different.
Yamaha’s new compact 'mixerface' console packs a lot of powerful features and functionality into a portable package.
The cab‑modelling pioneers take on the rest of the chain, right from the preamp input to the mics.
Can Zoom’s new 32‑bit floating‑point interface banish clipping forever?
HEDD Audio's updated headphone design promises to deliver speaker-like performance with stunning definition, as well as offering improved durability despite a reduction in both size and weight.
To celebrate the 50th anniversary of their versatile Omnipressor dynamics unit, Eventide have announced an upcoming reissue that stays true to the original design.
The latest generation of Yamaha’s flagship arranger workstation keyboard has arrived, offering an extended soundset, FM technology derived from the DX7, new Ambient Drums sounds, enhanced controls and more.
Zoom’s latest handheld recorder has been designed specifically for musicians on the move, and boasts a versatile selection of I/O, a range of built-in effects, and an onboard rhythm section with over 80 drum patterns.
With a total of 32 inputs and 28 outputs, Arturia's latest interface allows those with hardware-focused setups to keep all of their devices connected and ready to go.
Mic preamps and DIs all sound the same, right? Nope!
Rupert Neve Designs' latest all-in-one processor combines EQ, compression and stereo width sections with the latest iteration of the their acclaimed Silk circuitry.
There’s more to this desktop preamp than turning up your mic!
Boss' new acoustic amp uses the company's new Air Feel technology to emulate the detail captured by stereo microphone setups.
OE’s all‑analogue bass pedals pack the sound of a stack into a stompbox.
The Fireface 802 FS provides users with a high-end 60-channel recording solution that boasts ultra-low latency operation and the stable, reliable performance that RME are renowned for.
Once again, Zoom raise the bar for high‑quality, 32-bit affordable handheld recorders.
Licence‑free wireless is fine for smaller shows, but more serious calls for a more serious system.
