SOUND ON SOUND
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Even with the simplest of setups, audio recording for film is no easy task — especially when the whole picture has to be shot in a day.
The 2.1 monitor approach may have its pitfalls, but there are also some very real benefits to be had, especially in small studios.
SOS puts LD's new tube and capacitor mics to the test.
This compact ‘wedge’ speaker uses a coaxial driver to deliver broad stage coverage and a sound that cuts through.
Behringer’s take on the classic Auratones won’t break the bank — but will they help you make those crucial mix-balancing decisions?
If you’re looking for a new stage mic, it’s worth looking further afield than the usual models — as these classy examples prove!
Hugh Robjohns scrutinises this phantom power supply from Canford Audio.
This complex, multi-faceted device offers more than you’d imagine at first glance...
The market for compact digital desks is hotting up. Has Allen & Heath's latest contribution got what it takes to fend off the competition?
I am looking for a USB audio interface that I can connect all of my instruments to, and I have been considering a Focusrite...
The Turbosound Milan Mi0 enters a competitive market. Can this little newcomer stand out from the crowd?
The latest series of consoles in Dynacord's CMS (Compact Mixing System) family is the CMS3 range, which consists of three models
Behringer's Ultragain ADA 8000 — a simple ADAT interface with mic and line inputs and analogue line outputs
The Swedish manufacturers resurrect a long-gone studio classic.
Swissonic's high-quality preamp and A-D converter caters for 24-bit/96kHz digital audio in AES-EBU and ADAT formats.
Need a go–anywhere sound system for busking, small gigs or simply listening to music on the move? Look no further!