
MOTU MicroBook II
The new Microbook’s miniature exterior hides surprising depths of functionality.
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The new Microbook’s miniature exterior hides surprising depths of functionality.

Most of the time, TV composers are happy if anyone notices their music. It’s when people start to like it that the trouble starts.

Just like studios and record companies, music industry trade bodies have had to adapt to survive in a rapidly changing business landscape.

Building on their record for successful hand-held stereo recording devices, Olympus have stepped into multitracker territory...

Looking to create something new and fresh, Samplephonics approached the composer George Baldwin to create a library of high-...



This French-designed stage mic costs less than more established models — and might just out-perform them, too!

Learn how to use Pro Tools’ Digibase Browsers and all your audio files will be at your fingertips.

Last month, you gave me some advice on identifying why the vocals on my track weren't audible when I played it in my car [see...

Imagine you've tracked guitar, bass, vocals, and so on, and have multiple takes, all at slightly (or maybe radically)...

I've noticed that a lot of producers still like to record guitar and bass cabinets with microphones, even though there are...

I've noticed a lot of microphones on the market lately that have odd-shaped diaphragms: for example, there's a Pearl model...

In the second of this two-part series on drum editing in Reaper, we use SWS Extensions to fill gaps and stretch time.

Pausing by the buffet, we check out what Propellerhead have brought to the Rack Extension party.

Does an all-analogue, 1989 design still have a place in the world of convolution and modelling-based guitar recording products? Get ready to be surprised by the reissued SansAmp Classic.

If you’re handy with a soldering iron, buying the Shruthi 1 gets you a lot of synth for your buck...


Instrument definitions make life easier when using hardware instruments or effects with Sonar.

Whether you're the one producing the music or are simply listening for pleasure, the music itself must always be an emotional experience — because if it isn't, what's the point?