SOUND ON SOUND
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Reggae fan Daniel Boyle painstakingly researched the equipment Lee ‘Scratch’ Perry used in his groundbreaking Black Ark studio — then made an album with the dub legend himself.
This new four-part series explains all you need to know about creating brass arrangements for a range of genres.
In SOUND ON SOUND September 2010s printed magazine (and digital editions), we introduced some innovative methods of recording and processing impulse responses. But if you know how to use a program like MATLAB, you can even generate them from scratch.
U‑he's Satin is one of the most comprehensive tape simulations yet devised.
Applied Acoustic Systems have released Tassman 4, the latest version of their flexible synthesis software for Mac OS X and Windows
Make modern electronic beats with Logic's Drummer.
Mumford & Sons have dragged acoustic music out of the folk clubs and straight to the top of the charts, with a sound sculpted by producer Markus Dravs and mix engineer Ruadhri Cushnan.
Live 9 has been a long time coming, but, along with Ableton’s new Push controller, has the potential to revolutionise music-making.
If you want real musicians playing your composition but have no idea how scores should be presented for them, you can still make playable Logic parts with our simple guide.
Recording the White Album was a major project by any standards, not least for Ken Scott, who, at the age of just 21, found himself engineering the biggest band in the world...
If you could have one VST Instrument that emulated a hardware workstation, giving you enough polyphony to produce a complete arrangement with a fairly standard computer, would you be interested? Steinberg and Wizoo think you would...
Tobias Lindell set himself the difficult task of recreating the sound of his own high-end compressor in a much more affordable box. Did he succeed?
Reason has plenty of tricks up its sleeve for adding character and warmth to a mix.
Are modern workstations fit to be called 'synthesizers'? By Bob Williams
Want to write music for picture? To deal with tight deadlines, multiple rewrites and ever-changing picture edits, you’ll need to be on top of the technical requirements of the job.
The Urei 1176 is one of those classic compressor-limiters that many boutique manufacturers are now trying to put their own spin on. What do Wes Audio bring to the party?
