SOUND ON SOUND
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Prefab Sprout rose to fame in an era of indulgence and eye‑watering studio budgets. These days, things are a little different...
His role as producer of The Blues Brothers soundtrack left Bob Tischler in charge of recording some of the best musicians of the 20th century, while managing conflicting shooting schedules and coping with the day-to-day effects of John Belushi's prodigious cocaine habit.
Tascam's colourful new CDGT1 lets you easily practice playing or singing alongside your favourite CD.
From humble beginnings, Joey Sturgis has become a leading producer in the highly technical metalcore scene.
The story of how a characteristically chaotic and unorthodox 1978 recording session took Ian Dury & The Blockheads to the top of the UK charts.
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So how is your plug-in band coming on, then? With a combination of Steinberg's Groove Agent and Virtual Guitarist plus Yamaha's Vocaloid, all that is required is a bass player. Enter, stage left, Bornemark's Broomstick Bass...
Izzat Majeed single‑handedly resuscitated Pakistan's moribund music scene — and built a state‑of‑the‑art studio to capture the results.
Two heavy hitters in the world of digital audio have come up with an intriguing new synthesis of hardware and software.
Eight is considered a lucky number in Chinese culture. Will this eighth version of Pro Tools bring prosperity to Digidesign, as they try to establish their world-leading recording and mixing application as a serious contender in the music-creation market?
Armed with nothing but an Atari, a pair of S950 samplers and his faithful TB303, Fatboy Slim took the charts of the late 1990s by storm.
In their 39–year career the Fall have always embraced chaos, but perhaps nowhere more so than in the studio.
Inspired by a Persian classical poet and a certain Mrs Harrison, 'Layla' went on to become Eric Clapton's most enduring hit.
Martin Rushent managed the rare double feat of working at the artistic cutting edge and having colossal success — until disaster struck.
Many bands record their own albums these days, but few achieve as much with as little gear as Stornoway.
This new four-part series explains all you need to know about creating brass arrangements for a range of genres.
It was once taken for granted that freelance engineers would use the standard outboard provided by the studio they were working in. But the explosion in the amount of gear available means that now they often have to assemble personal rack to be sure of getting access to their tools of choice. Dan Daley explores the phenomenon...
Phil Collins began recreating the classic Motown sound as a form of therapy. With the help of engineer Yvan Bing, the results gave Collins his first number one album in 17 years.
Wham! went their separate ways in 1986, but the triumph of George Michael’s debut album Faith in 1987 meant that the success of his solo career was never really in doubt.