SOUND ON SOUND
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Paul White examines how a simple computer-based studio can be hooked up with a mixer to provide zero-latency monitoring during recording.
SOS reader TJ Stone asks whether the mountains of sophisticated equipment available to successful musicians and producers really help to make better recordings.
With the rumour mills already grinding away in preparation for Macworld 2006 show, we make a brief survey of 2005, as well as taking a look at using Apple's DVD Studio Pro application to distribute surround mixes.
Do you use a software studio with plug-in effects but crave the effects quality that your favourite hardware processor used to provide? Well, you can have the best of both worlds... as this article explains.
More and more musicians are trying to escape the sterile confines of modern commercial studios in favour of their own creative environments. Brendan Perry's highly individual recording space is uniquely suited to his eclectic style, as John Walden reports.
Nothing dampens creativity more than a studio full of 'spaghetti' cabling. This month, Paul White explains the virtues of installing a patchbay to banish cable clutter once and for all.
Want to set up a home studio but don't know where to start? In the first part of a new series, Paul White guides you through the creation and setting up of a basic home recording system.
Paul White looks at the multitrack recording console and its role in your multitrack recording system.
Packing in eight channels of A-D and D-A conversion along with 18-in/18-out audio interface functionality, the Alpha 8 can be paired seamlessly with the recently released SSL 18, and offers a convenient way to expand any ADAT- or S/PDIF-equipped interface.
IK Multimedia have unveiled the iLoud Precision MkII, the next generation of their studio monitor range, featuring the company’s new ARC X acoustic correction system.
In the first episode of a new four-part SOS video series, we take a behind-the-scenes look at the process of planning, recording and developing an orchestral sample library.
Shortly after the release of their Château Piano library, Spitfire Audio returned to the Château d'Hérouville to capture a selection of performances and hold a round-table discussion comparing the the legendary Steinway Model B with its new virtual counterpart.
United Studio Technologies latest release sets its sights on re-amping, and draws inspiration from a design that was never available as a commercial product.
Recently I started hearing a noise in my studio around 10-15 kHz. How can I find the cause and remove this unwanted noise?
Whether it’s classic NS-10s, battered old Auratones or something more esoteric, passive speakers require a power amp — here’s how to choose the right one.