SOUND ON SOUND
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What Windows music software works well with multi-touch screens, and what feels a bit out of touch? Find out in our in-depth guide.
As the ’60s came to a close, Marvin Gaye was forced to ask some serious questions about the world as he found it; the result was the sublimely soulful piece of social commentary, ‘What’s Going On’.
When it comes to hands-on control, we're used to being told that the mouse is a poor substitute for knobs and faders. This unique soft synth might just change all that...
The music world is going soft — but the economics of software production run up hard against the inadequacies of software protection. Cutting Edge speculates on a possible solution.
The Nord C2D expands on the success of its predecessor with an improved Hammond emulation and the addition, for the first time, of real drawbars.
Disco was an American phenomenon, but its greatest hits were recorded in France by an English band who were trying to play R&B...
Arturia have broken away from their soft-synth roots with the MiniBrute, a 100 percent analogue monosynth. We put it to the test in our world-exclusive review.
It’s named in honour of everyone’s favourite giant ape, but will Korg’s new keyboard scale the heights or be shot down in flames? Find out in our exclusive review...
The partnership between Blondie and producer Mike Chapman created a perfect pop record - and catapulted the group from the underground to mainstream chart success.
Dave Smith’s latest synth crams four Mophos into one keyboard-shaped box. The result promises to be more than the sum of its parts.
A new Prophet is always an exciting prospect, but the name certainly carries a weight of expectation. Can the latest model live up to its illustrious ancestry?
Since riding to fame on the crest of the late '80s DJ sampling wave, Tim Simenon has re-cast himself in a variety of moulds, not least those of producer and record label boss. Paul Tingen caught up with him to talk about his latest album and his brilliant career...
'Papa's Got A Brand New Bag' was James Brown's statement of intent as he abandoned soulful ballads in favour of a raw and frenetic new sound.
When they began work on The Seldom Seen Kid, Elbow had no record label and no producer. Two years later, it's brought them mainstream success at last.
Fifty years after their first hit, the duo who discovered Blondie, the Ramones, Talking Heads and Madonna are still producing great new acts.
A simple song and an outrageous video turned Robin Thicke from a star to a superstar — with the aid of master mixer Tony Maserati.
Jeff Mearns wonders why we still suffer from gear lust, when old, faithful, well-worn studio equipment so often produces the best results...