SOUND ON SOUND
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Recording drums and guitars is the task in this month's studio troubleshooting visit.
The team create portable acoustic treatment for a TV/film music composer who has plans to move house.
In another exciting installment of our studio 'makeover' series, the team rotate Bella Saer's entire setup through 90 degrees in search of a more effective working environment.
The SOS team purge the unwanted buzzes and hums from reader Jim Fish's new studio.
A dodgy snare recording was just one of the problems facing Rob O'Neil at the mixdown stage, so the SOS dynamic duo (Paul and Hugh) visited his home studio to help him sort things out.
The SOS team ride to the rescue of a budding media composer who is having trouble with his mixes.
Setting up your studio in a cube-shaped room isn't a very good idea, as Pete Keen and Nick Smith found out to their cost. So the Studio SOS team set off to Kidderminster to help find some solutions to the inevitable acoustic problems.
During the October 2003 AES Convention in New York, the SOS team managed to make it to Amityville to help reader (and SOS Forum regular) Glenn Bucci with his recorded guitar and bass sounds.
Recording piano was turning out to be a grand challenge in Clive John's home studio, so the SOS team headed over to sort things out.
The SOS team visit the West Midlands, where Gordon Giltrap's home studio needs help, nestling as it does in the shadow of one of the UK's most powerful TV and radio transmitters.
Dave Wraight had been having trouble with his mixes, despite twice upgrading his speaker system, so the SOS team set about diagnosing and treating his monitoring problems.
Hums, buzzes and noise were stopping Noor Ali recording his guitar parts, so SOS headed over to Worcestershire to set things straight.
Another reader's studio gets the benefit of expert SOS staff attention. This month, it's the turn of Tim Way, whose mixes sound fine in his own studio, but don't travel well.
Paul White and Hugh Robjohns address some of the most frequently-asked questions about home studio recording and production.
David Mellor explores how the Yamaha NS-10M monitors became a studio staple and why, decades after being discontinued, engineers are still seeking out second-hand pairs.
Paul White and Hugh Robjohns talk us through four essential studio effects that every music producer or mix engineer needs to know for creating an effective mix.
Paul White and Hugh Robjohns discuss the basics of a good home studio setup, including choosing the right equipment and setting up your space correctly to achieve the best recording and mixing results.
Paul White and Hugh Robjohns discuss the best practices for avoiding and eliminating electrical noise interference in your home studio.
Lyndhurst Hall at AIR remains a favourite destination for Hollywood composers, rock bands and pop stars, and it's just emerged from a stunning renovation.
In this Sound On Sound exclusive feature video, we explore the former Victorian schoolhouse and meet the people who help RAK maintain its reputation as one of the world’s premier recording venues.