SOUND ON SOUND
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On Saturday 22nd November, forty-plus leading music industry figureheads will be on hand at 4-12 Little...
The Bulgarian choir specialists go epic with a trilogy of choir libraries.
Using a unique combination of virtual musicians and acoustics manipulation, Dr Shelley Katz aims to bring orchestral performances to even the most modest of venues.
Positive Grid’s latest plug-ins let you craft your own boutique compressor designs without ever touching a soldering iron.
A combination of modern technology and skilled engineering has allowed Chicago’s landmark festival performance to be released, almost 50 years after it was taped.
Integrate your Logic Pro X tracks with GarageBand iOS and open up a world of possibilities.
Tidy away unused instruments and effects and put your favourites within easy reach with Logic’s Plug-in Manager.
Designed to get the best from passive ribbon and moving-coil mics, this preamp offers 80dB of gain and switchable input impedance.
Our engineer battles the clock while keeping the artists at ease, to capture seven tracks in a single weekend.
Based in Nottingham, UK, Coopersonic Audio Engineering are responsible for a growing range of hand-wired effects pedals.
With such brilliant software reverbs now available, does this new hardware unit warrant a place in the space race?
Cockos Reaper has some interesting tricks up its sleeve to help you resuscitate seemingly corrupt projects.
Composers need publishers. But are they there to help us, or help themselves?
Give your musicians the right cue mixes in Studio One, and you’ll make a huge difference to their performances.
With their easy portability and clear, transparent sound, PreSonus’ latest range of PA speakers couldn’t have been better named.
His quest to capture the spirit of Avebury led former Radiophonic Workshop composer Steve Marshall to develop some unique experimental recording techniques.
Could this transformer- and valve-laden preamp bring some analogue magic to your recordings?
Despite the iMac moniker, the iMac Pro is a very impressive machine. Is it the computer that Mac-based musicians and audio engineers have been waiting for?
When you can’t crank up the amp and mic it up, what’s the best way to record electric guitar?