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Version 7 of iZotope’s mastering package adds cutting-edge codec monitoring features as well as vintage-themed processors.
This month: Ariana Grande, Tim McGraw, Zara Larsson, Kelsea Ballerini and our Classic Mix is Gloria Gaynor ‘I Will Survive’ (1978).
Grammy-winning producer Ian Brennan discusses his approach to working with unique artists in outdoor locations around the world.
On the cover, we have the Trigger Finger Pro, M-Audio’s latest and most...
Console emulation is all the rage, and it’s now built into Studio One. We explore what it offers...
Cinematic Studio turn their sampling expertise towards a quartet of solo strings.
Controlling harsh 'ess' and 'tee' sounds in a vocal can be surprisingly challenging, but SPL's technology aims to make it easy.
Live opera can be a life-changing experience — and London’s premier opera house is using immersive sound to explore new ways of sharing it.
Kungs Versus Cookin’ On 3 Burners • Major Lazer feat. Justin Bieber • Blossoms • Beyoncé • Classic Mix: The Sex Pistols ‘God Save The Queen’
We show you how to get creative with the crossfader in Ableton Live.
Back in the 1950s, one of Shure’s most popular mics was the Model 51 Sonodyne, which had a distinctive design fashioned to...
Once available only to Pro Tools users, AIR’s comprehensive plug-in bundle is now open to all — and has been augmented by some intriguing additions.
The MPC has always been about its fast, hands-on interface — can a touchscreen make it even better?
Malcolm Toft, the man behind countless classic consoles, turns his expertise to building a high-quality and remarkably flexible bass processor.
For many, an analogue synthesizer is defined by its low-pass filter. There have been numerous notable examples of this,...
At both the production and consumption ends of music, analogue is making a comeback.
Cult TV series Stranger Things has become essential viewing — and essential listening. We talk to the previously unknown composers behind its hit soundtrack.
Here are links to the audio files from March 2008's MIX RESCUE article, for those readers who buy the magazine from the newsagent and don't wish to type in all those long URLs.
Acustica’s latest plug-in promises new heights of realism in SSL-style EQ and compression.