
SOS December 2015 issue out now
The December 2015 issue of Sound On Sound is now on sale.
As always, the latest issue of ...
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The December 2015 issue of Sound On Sound is now on sale.
As always, the latest issue of ...
Save time and screen space by combining multiple plug-ins into FX Chains in Cakewalk.
This classy valve mic is redolent of the classic German designs of old, yet comes at a fraction of the cost.
Mono plug-ins in Pro Tools can be used on stereo and surround tracks. We explain why this is useful!
Although it only opened for business in 2017, Daft Studios did not appear out of the blue. It is, in fact, the rightful heir to and successor of another legendary large studio, La Chapelle.
M-Audio’s Hammer 88 is a fully weighted 88-note keyboard with a very attractive price tag.
To mark its 50th anniversary, two bands have taken to the stage to pay homage to Wendy Carlos’s classic crossover album Switched-On Bach.
Pro7ect 2017: producer Ian Wallman describes a unique collaborative project in an unusual space!
Zero‑G's Disco Gold provides over 800 loops presented in a 24‑bit, 44.1kHz stereo format, with some 1.7Gb of sample material in all.
After almost a decade in the wilderness, the original loop-based sequencer is back. But is Acid still the best?
Our engineer picks up where last month’s Session Notes recording feature left off, with details of how he approached the mixing side of things on this ambitious project...
This month’s cover star — the ROLI Seaboard Grand — is one of the most exciting new keyboard...
Can NI’s new performance controller preserve Maschine’s status as king of the beat stations?
We see how crossfades can be used creatively and cosmetically in Live.
A unique new DSP tool allows disparate sounds to be mated — with intriguing results!
The Beatles’ iconic Sgt. Pepper’s album was mixed twice on its original release. So why mix it again, 50 years on?
Logic Pro 10.3.2 improves the DAW’s Drummer feature by adding new Percussionists to the mix.
A combination of modern technology and skilled engineering has allowed Chicago’s landmark festival performance to be released, almost 50 years after it was taped.