SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
I’m trying to improve the sound of my speech recordings which can be a bit ‘echoey’. I’ve been using a Rode NTG4 shotgun mic...
When I’m recording an old Roland Juno 106 synth and I connect it to a UA Apollo soundcard, it sounds fine. However, I’ve also tried running it into some other preamps and got some strange results...
This refreshed range boasts new features and improved specs — but the same great value for money.
Krackle Killers are made of a hard and stiff, but quite absorbent, plastic foam, shaped in the form of a dummy plug...
For anyone with an interest in recording classical performances of any form — whether they’re an amateur, a professional or an academic — this is absolutely essential reading.
We check out Grace’s compact, mastering‑quality solution for monitoring on the move.
I’m hoping to buy some bulk cable to make my own microphone and guitar leads. If I go to an electronics supplier, what should I...
SOS Technical Editor Hugh Robjohns chats to Mirek Stiles about the Spatial Audio Forum and how everyone can get involved in creating 3D audio environments using basic recording equipment.