SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
On testing a vintage Telefunken preamp, Sonic Farm were so impressed they decided to recreate it — adding their own twist along the way...
To some, music technology is simply a means to an end and the music is all that matters. To others, music technology holds some technical importance in its own right.
The latest version of iZotope’s best-selling restoration software adds powerful new modules, as well as a Post Production Suite bundle aimed at film and TV applications.
Although first published in 2007, I only became aware of this interesting book very recently, when I found it on a recommended-reading list for a music technology course at a UK university.
This many-headed beast offers you the flavours of four classic ’60s London studio consoles.
Abbey Road Studio’s revered RS124 tube compressor has never been made available commercially... until now.
These files accompany the Mike Skeet obituary in the March 2016 issue of SOS.
I’ve been looking for a compact CD transport to hook up to my home-studio DAC and I’m surprised by how expensive they are...
Single-driver speakers have long been popular in the studio, and now Eclipse have brought the concept into the 21st Century with a Wi-Fi enabled model.
Through his work as an engineer and author, Mike Skeet inspired enthusiasts to build their own equipment and make better recordings.