SOUND ON SOUND
When you’ve learned your craft from Manny Marroquin, you can mix on almost any system — as Jeremie Inhaber proved with Meghan Trainor’s ‘Made You Look’.
We don our shiniest Daft Punk helmets and get funky with Studio One’s Vocoder.
These three audio examples accompany the Cubase Sampler Track technique workshop in SOS January 2023.
Cubase 12...
Going DAWless presents many challenges — not least keeping all your gear in sync...
Your Studio One productions can now have integrated lyrics.
With a bit of fine‑tuning, Reaper can help you edit long podcasts at pace!
Cubase’s Sampler Track is capable of making surprisingly playable backing vocals.
We explore a few ways to share your Logic Pro projects with collaborators.
Join us as we delve into the hidden mysteries of the Kong drum machine.
Producer and mix engineer John Feldman details how he got his favourite vocal sound on the Used’s 2002 debut single.
Pro Tools offers some powerful features for quantising both MIDI and audio.
With hit albums for Dave, Wizkid and now Stormzy, Brazilian‑American mixer Leandro Hidalgo is at the top of his game.
Mark Mynett, sound engineer and senior lecturer at Huddersfield University, gives us an in-depth look at how to process and mix the various elements of a song recorded using live instruments.
Sound On Sound December 2022
Cubase Workshop: Stranger Things Synths With Retrologue 2
Audio Examples...
The ultimate one‑man band, Brazilian artist Ricardo Bacelar uses layers of drums, percussion, guitars and keyboards to build up dense immersive mixes.
Create retro sci‑fi soundtracks with Cubase’s Retrologue 2.
Want a hit that transcends genres? Hire a mix engineer who does the same — as Steve Lacy did with Neal Pogue.
Mix Modes can help you keep track of your mix revisions in Digital Performer.
Logic has built‑in tools for drum sample replacement.
London‑based record producer, programmer and session musician Andy Wright chooses the drum sound from ‘Dirty Mind’, on Jeff Beck’s 2000 album You Had It Coming.