SOUND ON SOUND
If you’re struggling to get everything in your mixes coming across loud and clear, read on.
Getting the most from aux sends requires you to understand how they work!
Logic’s Mixer Modes help you navigate even the most complex projects.
Can a legendary engineer create immersive audio mixes without giving up his beloved SSL console? Of course he can!
The ear‑catching tempo changes of LF System’s hit ‘Afraid To Feel’ provided a unique challenge for mix engineer Scott Rosser.
Colin Cartmell’s decades‑long tonequest has led him to create some of the best guitar cabinet IRs out there — so we asked him for advice on how to roll your own.
Soul II Soul’s ‘Back To Life’ was a hit record with a sound all of its own.
A new Rack Extension could be all the vocoder you’ll ever need.
Four‑time Grammy Award‑winning producer, engineer and mixer Chris Shaw has worked with some of the biggest and most...
The latest iteration of VariAudio includes all the tools you need to get vocals in shape for mixing.
These audio files accompany August's 'Mixing DI Bass Guitar' workshop.
Ever had trouble getting a plain DI’d bass guitar to sound right in a mix? Me too, sometimes! But it’s almost always fixable once you understand the issues.
This set of audio example MP3s illustrate key ideas discussed in the Cubase workshop in SOS August 2022.
The right compressor settings give you endless power to shape the sound and groove of a multi‑miked drum recording.
We show you how to get more from Live’s included content.
Vince Gilligan and Peter Gould’s unique vision of Albuquerque required a unique approach to the score...
Asked to pick a favourite sound from his huge discography, Matt Squire nominates the track ‘On My Teeth’ from Underøath’s 2018 album, Erase Me.
The result of an extraordinary collaboration between Arthur Baker and London band Freeez, ‘IOU’ was a pioneering hit of the electro genre.
We explore Logic’s powerful new Track Alternatives.
We get hands‑on with Novation’s Launchpad Pro Mk3.