SOUND ON SOUND
Leading mix engineer Andy Bradfield shares some of the lessons he’s learned in getting to grips with Dolby Atmos.
These vocal tracking tips will help you achieve decent results every time.
Studio One’s Video Player makes writing for picture a breeze. Find out how...
We explore the many tools available in DP’s Waveform Editor.
What can Live’s Device Racks do for you?
Learning to manage CPU resources effectively will make you a better mixer.
We explore some handy tools for making the most of macros.
How they recorded the solo on ‘Solace’ from Fuel’s second album, Something Like Human (2000).
We explore some of Logic’s lesser‑known features that you might easily have overlooked and wondered where to find them..
We offer some tips for processing strummed guitars.
With six lead singers, an orchestra and more, ‘We Don’t Talk About Bruno’ from Encanto was always going to be an epic production challenge — and then lockdown happened.
These audio examples accompany our Cubase workshop in SOS March 2022.
Mastering and MIDI get a welcome boost in Studio One's v5.5 update.
Our tame engineer describes a new approach to mixing that helped him to get the best out of an EP that was recorded remotely during lockdown.
We explore the value offered by Avid’s subscription and support plans.
We all know you can score a movie or compose a symphony from the comfort of your DAW, but what can orchestral sample libraries do for other genres of music?
We dive into the newly improved and expanded Combinator.
A virtual declutter will massively improve your Logic experience!
Writing lyrics is often said to be the hardest aspect of songwriting. Berklee College of Music Professor Pat Pattison has been teaching people to do it better for decades. Read his advice...
Asked to nominate his favourite sounds he’s created on record, the Tangerine Dream leader picks a track composed for the soundtrack of the video game Grand Theft Auto V in 2013.