SOUND ON SOUND
For Jason ‘Cheese’ Goldberg, working with YoungBoy means working anywhere and working fast — without compromising quality.
When and why might you want to reach for more than one compressor to process the same signal?
We dive into DP’s extensive MPE capabilities.
Using custom names for tracks, buses and regions will help organise your Logic Pro sessions.
Mark Mynett, talks us through prepping for and recording a bass session, including ways to generate multiple layered tracks for use in your final mix.
Mark Mynett, Sound Engineer and Senior Lecturer in Music Technology and Production, talks us through the setup and recording of live drums.
These audio files accompany September 2022's Cubase workshop.
We’re used to playing and sequencing synth parts in our productions, but why not sing them as well?
If you’re struggling to get everything in your mixes coming across loud and clear, read on.
Included with Studio One Professional, Melodyne Essential has (almost) all the time‑ and pitch‑correction power you’ll ever need!
Logic’s Mixer Modes help you navigate even the most complex projects.
Can a legendary engineer create immersive audio mixes without giving up his beloved SSL console? Of course he can!
The ear‑catching tempo changes of LF System’s hit ‘Afraid To Feel’ provided a unique challenge for mix engineer Scott Rosser.
Getting the most from aux sends requires you to understand how they work!
Soul II Soul’s ‘Back To Life’ was a hit record with a sound all of its own.
A new Rack Extension could be all the vocoder you’ll ever need.
Four‑time Grammy Award‑winning producer, engineer and mixer Chris Shaw has worked with some of the biggest and most...
The latest iteration of VariAudio includes all the tools you need to get vocals in shape for mixing.
Colin Cartmell’s decades‑long tonequest has led him to create some of the best guitar cabinet IRs out there — so we asked him for advice on how to roll your own.
These audio files accompany August's 'Mixing DI Bass Guitar' workshop.