SOUND ON SOUND
Asked to nominate his favourite sounds he’s created on record, the Tangerine Dream leader picks a track composed for the soundtrack of the video game Grand Theft Auto V in 2013.
We talk to the people who are creating real‑world Atmos content, starting with Canadian super‑producer Greg Wells.
It was just another session for producer Peter Nappi, but Gayle’s ‘ABCDEFU’ would become one of the most listened‑to tracks of 2022.
Grammy Award‑winning American producer Howard Benson discusses how he achieved the drum sound on POD’s 2001 hit ‘Youth Of The Nation’.
The Input Transformer can do all sorts of useful things to incoming MIDI signals. Let's find out...
DP11 brings even more functionality to the unique and powerful Chunks feature.
When you’re polishing a nine‑piece vocal band like TWICE to K‑pop perfection, organisation is essential!
Speed up your mix workflow with these handy Pro Tools keyboard shortcuts.
We show you how to configure your inputs, outputs and audio routing in PreSonus' flexible DAW.
We show you how to put your own stamp on Live 11’s new sonic content.
With your lead vocal performance comped and tuned, and its timing tightened, is there anything else to do before you start mixing?
It's more than 20 years since the BBC closed their legendary Radiophonic Workshop, but its spirit lives on in the Radiophonic Room at Manchester's Eve Studios.
SOS January 2022
Cubase Workshop: Audio Examples
John Walden
These audio files...
We talk you through the various metering options available in Studio One.
Last month, we showed how to comp a great vocal performance. Now we look at how you can use editing tools to improve both timing and tuning.
The latest Pro Tools and Eucon updates offer much to both pro- and project‑studio users.
From plucks to pads, Cubase’s Sampler Track makes it easy to design your own sounds.
Hip‑hop and metal share more in common than you might think, as mixer Ari Morris confirmed when he worked on MoneyBagg Yo’s hit album, A Gangsta’s Pain.
Recalling his favourite sound, LA‑based producer and mixing engineer Tom Syrowski chose the vocal on Incubus’ 2011 track, ‘In The Company Of Wolves’.