SOUND ON SOUND
Hip‑hop and metal share more in common than you might think, as mixer Ari Morris confirmed when he worked on MoneyBagg Yo’s hit album, A Gangsta’s Pain.
Recalling his favourite sound, LA‑based producer and mixing engineer Tom Syrowski chose the vocal on Incubus’ 2011 track, ‘In The Company Of Wolves’.
Parallel processing while mixing is a common technique — so why not try it with your pedals when recording?
Immersive audio has huge creative potential for music production, but it can be hard to get your head around. Here’s the explanation you’ve been waiting for!
Vocoders are not just for vocals. In this episode, Eddie Bazil talks about the various vocoder plug-in options and demonstrates six creative techniques.
These audio files and captions accompany December 2021's Cubase Sound Design main article.
Navigating the Edit Window is key to speeding up your Pro Tools workflow.
The new 5.4 update includes intelligent chord detection, plug-in nap, M1 compatibility and much more.
To transform multiple takes into truly great vocal tracks, you might need to look further than your DAW’s built‑in comping tools.
Want to create your own signature sounds? Cubase makes sound design easy.
The creator of the Blumlein‑Pfanzagl‑Triple mic array describes its development, as well as its use at a recent Salzburg Festival event.
Elfman recently released his latest solo album, Big Mess, and chose a track from the album as his favourite sonic achievement.
We dig deeper into the audio and MIDI effects included with Live 11.
The three albums Mike Thorne produced for Wire showed that there was much, much more to punk than met the eye.
British guitar band The Lathums achieved the rare feat of topping the charts with their debut album. Mix engineer Caesar Edmunds was at the controls.
Logic Pro X contains everything you need to add high‑quality audio to your videos. Let's find out how...
The epic soundtrack to the Guardians Of The Galaxy video game is one of the biggest projects ever undertaken by a single composer. In our exclusive feature, Richard Jacques describes how he created nearly six hours of high-impact orchestral music
Giving yourself plenty of headroom when recording will help you get the most out of your plug‑ins and give you greater flexibility when mixing.
Find out how to create custom control mappings with EuCon when using Pro Tools.
Does your guitar sound dull and lacklustre through your pedalboard? Here’s how to side‑step the tone‑suck trap.