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Introduce some creative weirdness with MIDI inversion.

Manipulate the timing of MIDI and audio with Studio One’s Tempo Track.

Chopped‑up loops are at the heart of many genres of music. There’s never been a better time to get hands‑on with sliced samples.

Landquist reveals how he got his favourite sound on A‑ha’s ‘Lifelines’, the 2002 title track to the Norwegian synth‑popsters’ seventh studio album.

We explore Logic Pro’s bounce and export options.

We show you how to take full control of your stereo image with Cubase’s powerful bundled plug‑in suite.

Italian band Måneskin were unlikely winners of the 2021 Eurovision Song Contest, but even that couldn’t prepare them for what came next. Mix engineer Alessandro Marcantoni tells the story of their viral single ‘Beggin’.

There are times when a mix engineer needs to do more than just mixing — even if that takes you out of your comfort zone!

Many classic electric guitar sounds have been captured using just one microphone. So when and why might you use more?

Successful songwriters and producers explain how to adapt your skills to the massive Far Eastern market.

In this episode, Eddie Bazil offers tips for creating a signature sound using sound design techniques and offers a range of suggestions on how drums can be processed.

Check out these audio examples which accompany the September 2021 Cubase workshop on Dynamic EQ using Frequency 2.

Go beyond the pan pot with Logic’s Direction Mixer.

In Frequency 2, Cubase 11 Pro has a powerful dynamic EQ.

The newest version of Pro Tools offers much for both native and HDX users.

We guide you through DP’s pitch‑shifting and time‑stretching options.

Get creative with Studio One’s FX Chains.

We show you how to get great results from self‑recording singers.

We check out Reason’s high‑res new look.

Polo G could have worked with any superstar mix engineer on the planet. Instead, he chose relative unknown Todd Hurtt to mix his hit album Hall Of Fame.