SOUND ON SOUND
British guitar band The Lathums achieved the rare feat of topping the charts with their debut album. Mix engineer Caesar Edmunds was at the controls.
Logic Pro X contains everything you need to add high‑quality audio to your videos. Let's find out how...
Want to create your own signature sounds? Cubase makes sound design easy.
The creator of the Blumlein‑Pfanzagl‑Triple mic array describes its development, as well as its use at a recent Salzburg Festival event.
Elfman recently released his latest solo album, Big Mess, and chose a track from the album as his favourite sonic achievement.
The epic soundtrack to the Guardians Of The Galaxy video game is one of the biggest projects ever undertaken by a single composer. In our exclusive feature, Richard Jacques describes how he created nearly six hours of high-impact orchestral music
Does your guitar sound dull and lacklustre through your pedalboard? Here’s how to side‑step the tone‑suck trap.
Giving yourself plenty of headroom when recording will help you get the most out of your plug‑ins and give you greater flexibility when mixing.
Find out how to create custom control mappings with EuCon when using Pro Tools.
Rod Wave’s chart‑topping album Soulfly was not only recorded in hotel rooms, but mixed and mastered on the road too. Travis Harrington was the engineer who made it work.
Automation helps you realise your creative vision by baking in those movements, changes and layering that you couldn’t manage to pull off in your performance. It also lets you resuscitate a dying mix and breathe new life into your tracks.
With its significant overhaul, the new Nanosampler 2 offers a wealth of creative sample playback options.
We all know that close miking boosts the low end. But why? New research from DPA Microphones explains that some instruments are more affected by proximity effect than others.
Dynamics processing is a core mixing technique, but it’s often misunderstood. We explain how to make a compressor do what you want it to!
New York‑based engineer and producer Andrew Maury, when asked to pick a favourite sound that he’s worked on, nominates the drum mix he created for Lewis Del Mar's ‘Loud(y)’.
There’s more to Reason’s new Mimic creative sampler than meets the eye...
We explore how Cubase’s multiband tools can help you master your own mixes [includes Audio Examples].
Paul White looks back over the history of the echo effect, from tape loops through to plug-ins, and explores how modern echo effects can be used as sound design tools.
These audio examples accompany the Mix Rescue feature in Sound On Sound October 2021.
Here the audio files that accompany the SOS October 2021 Cubase workshop.