SOUND ON SOUND
Live is more than capable when it comes to bass. We give you an overview...
Console emulation is all the rage, and it’s now built into Studio One. We explore what it offers...
These small tips could make a big difference to your Pro Tools experience!
Recorded, mixed and co-produced by Greg Fidelman, Metallica’s Hardwired... To Self-Destruct has proved an unexpected career high point.
Having set out to capture a live-band feel when tracking, our engineer is tasked with steering the mix in a more polished pop direction.
Live opera can be a life-changing experience — and London’s premier opera house is using immersive sound to explore new ways of sharing it.
Find out how Sonar’s new Lens feature can help you streamline the user interface for the task at hand.
Beyoncé’s right-hand man DJ Swivel has reinvented himself as a mix engineer — and his work with the Chainsmokers produced 2016’s biggest track.
The team behind a three-day event on Hastings Pier had to battle weight restrictions, noise limits and the elements to make it happen!
Keep these five commandments in mind, and avert Pro Tools disasters!
We explore some more advanced techniques and less-obvious applications for Synchro Arts’ powerful audio-alignment processor.
When it comes to mixing drums, few things have studio newcomers tearing their hair out more often than compression. We clarify matters by identifying a series of distinct drum-mixing tasks for which engineers commonly use compressors.
Propellerhead recently released a major update to their Parsec synth. Here’s the lowdown on this essential Reason Rack Extension.
Maximising A Minimal Arrangement: Our engineer tackles the recording of some stripped-down electric-guitar and vocal arrangements.
Cubase has all the tools required to add a human feel to your programmed acoustic drum parts.
Logic Pro X sports extensive sampling tools. Here’s how to use them effectively.
Studio One’s Repeater is no ordinary delay. For a start, it works on note data rather than audio!
