SOUND ON SOUND
Managing large sessions in any DAW can be tricky. Fortunately, Studio One has the tools to help.
Most Pro Tools operations are undoable — but some give you the option to commit permanently...
Audiobook Recording: spoken word in the project studio presents a different set of challenges to most music productions.
Design and manipulate your own kick drums from scratch using Ultrabeat and Alchemy in Logic Pro X.
Down at the bottom of the garden, among the birds and the bees, we went to Alex Hutchings’ studio, to eliminate some unpleasant frequencies.
Refresh your musical mojo with Reason 9’s Players.
Is mixing on a large analogue desk still worth the trouble? For George Seara and Shawn Mendes, it seems to be working out quite well...
Are delays suffocating your vocal parts? Cubase has the answers!
This uniquely powerful pitch, energy and time alignment software could save you hours of edits.
David Crosby’s latest album has gained much praise for its sonics. The man who tracked and mixed it offers SOS readers the inside story — with audio examples.
In 1985 John Lydon found himself in a New York studio with producer Bill Laswell and a group of session musicians. The result was to become one of PiL’s most recognisable tracks.
A list of all articles that hold the associated media files for November 2016 audio examples. You will find the ZIP file(...
We show you how to get the most from Ableton’s Link technology in Reason.
Studio One has no notation features of its own, but it now forms a perfect pair with PreSonus’s dedicated Notion application.
Sonar has several time-saving features that might make the difference between catching an inspiration or losing it.
The loudness wars might be over, but peak levels in Pro Tools are still important.
Flex your Logic Pro X muscles with half a dozen more tips and tricks.
The making of Barbra Streisand’s latest hit album, Encore, offers a window into the unique philosophy of hit-making producer and engineer David Reitzas.
Our engineer transforms a bedroom-recorded rock song into release-ready territory.
It’s now the norm for musicians to provide their own sound reinforcement for small gigs — but what kind of system would suit you best?