SOUND ON SOUND
We look at what’s new in Reason 9 — including the power to change the background colour.
Sylvia Massy shares weird recording tips
A directory of all media pages that hold the associated media files for July 2016 audio examples.
In the second part of our guide to Pro Tools’ cloud collaboration features, we learn how to exchange tracks with other musicians.
Studio One offers the full gamut of automation features — but which ones are appropriate to your needs?
Part six-string, part speaker cabinet, resonator guitars are like no other instruments. Here’s how to capture their distinctive sound.
We explore some useful functionality in Ableton Live’s often-overlooked Arrangement page.
The Southern Wild: our engineer reminds us that you don’t have to cram every mic signal into your mix just because it’s available.
With Cubase, you can implement an innovative parallel compression technique first conceived by producer Andrew Scheps.
Tighten up your timing without sounding robotic, using Logic’s quantisation features.
The success of Deftones’ Gore album is reward for the band’s restless experimentation — and for the work of engineer, producer and mixer Matt Hyde.
Streamline your use of Sonar’s automation with these time-saving tips.
1982’s ‘The Look Of Love’ paired an ambitious band with an ambitious producer, and the result was a perfect piece of pop music.
The audio files available on this page accompany my Session Notes article in SOS June 2016 about recording drums for a...
A directory of all media pages that hold the associated media files for June 2016 audio examples.
We show you how to create your own ReFills and REX files in Reason.
Understanding the way track grouping works will help keep your Studio One projects under control.
Have you ever wondered how to separate a vocal or the instrumental backing from a stereo mix? We find out what’s possible — and what isn’t.
Sonar’s new LP EQ lets you perform Mid-Sides EQ’ing with ease.
Have you ever wondered how to separate a vocal or the instrumental backing from a stereo mix? We find out what’s possible — and what isn’t.