SOUND ON SOUND
Live has a few tricks up its sleeve to add variety to your drum patterns.
Max For Live’s take on convolution reverb is a versatile sound design tool.
We see how crossfades can be used creatively and cosmetically in Live.
We catch up with the new Packs in Live 10.
Take our crash course on Live 10’s new Wavetable synth.
We explore Live 10’s new MIDI Capture and Multi-Clip editing features.
We examine three different ways to harness the power of granular synthesis in Live.
We delve into the mysteries of granular synthesis with Max For Live’s Granulator II instrument.
We show you how you can treat Live as one big modular synth.
We examine the creative possibilities of Re-slicing audio in Ableton Live.