When Grammy-award winning producer Liam Watson met country-folk singer Pete Molinari, they discovered a shared love of '50s country music, and decided to make an album that would hark back to the glory days of Nashville recording.
The 'vintage' sound of artists like Sharon Jones & The Dap-Kings and Amy Winehouse has little to do with super-expensive valve gear. Instead, it's the minimalist approach of house engineer Gabriel Roth that sets the tone.
OneRepublic's route to the top has been tortuous, and their massive hit 'Stop & Stare' was actually recorded more than three years ago. Engineer and mixer Joe Zook recalls the sessions.
Jack Johnson is living proof that you don't need Auto-Tune, Beat Detective or a million overdubs to record a hit album. In fact, as engineer Robert Carranza explains, he didn't even need mains electricity...
On March 3rd, the world of music lost one of its pivotal figures. Norman 'Hurricane' Smith recorded the Beatles' first six albums, produced the first four Pink Floyd LPs and even enjoyed chart success in his own right.
A producer from the US who's doing very nicely in the UK, Tony Hoffer has been responsible for some of the most successful indie-rock albums of recent years.
Aided by its memorable video and starring role in an iPod ad, Feist's '1234' has been a refreshingly different worldwide hit. Renaud Letang was behind the (vintage) desk during the recording and mixing sessions.
Phase interactions are well known for their ability to destructively interfere with recorded signals, but an understanding of the process can turn it into one of the most powerful creative tools available to you.
Here are links to the audio files from APRIL 2008's MIX RESCUE article, for those readers who buy the magazine from the newsagent/bookstore and don't wish to type in all the long filenames.