Mixing / Production

Here are links to the audio files from November 2007's MIX RESCUE article, for those readers who buy the magazine from the newsagent and don't wish to type in all the long URLs.

I use Cubase SX v1 and I want to set up a reverb that the vocalist can hear during recording, but that doesn't get recorded...

We help install the equipment won by one of the lucky winners of the SOS and Digital Village prize draw held at Sounds Expo 2007.

Former Savage Garden singer Darren Hayes has turned his back on major labels and hit factory songwriters to pursue his love of electronica — with help from producer Justin Shave, a vintage Fairlight and a unique computer-based instrument.

If you record music on a computer, you have a huge amount of irreplaceable data that needs to be backed up. However, traditional data protection strategies have been expensive or tedious to operate. The solution? RAID on...

If you're stuck in a creative rut with sample libraries, why not look for inspiration in your own home?

When they hired Joe Chiccarelli to record their latest album, the White Stripes set him a stiff challenge: to create a modern, punchy, heavily edited sound, without leaning on modern digital tools.

Here are links to the audio files from October 2007's MIX RESCUE article, for those readers who buy the magazine from the newsagent and don't wish to type in all the long URLs.

We get weeding this month, to thin out a busy mix without sacrificing the big sound.

Richard Hawley has achieved his high profile in the 21st century by harking back to an age before the Beatles. Hawley and engineer Colin Elliot document the recording of his new album Lady’s Bridge.

It's 70 years since the idea of digital audio sampling was first patented - so it's high time we laid to rest the myths and false perceptions that surround it.

Here are links to the audio files from September 2007's MIX RESCUE article, for those readers who buy the magazine from the newsagent and don't wish to type in all the long URLs.

I have a few tracks that I'd like to put on-line, but I'm having trouble getting the bass to sit forward enough in the mix...

This month we deal with thorny phase-cancellation problems, overhaul musical arrangements and get creative with effects, as we rise to the Mix Rescue challenge.

Chart-topping indie-rockers Athlete could have had their pick of the worlds producers and engineers to work on their third album. Instead, they chose to build a studio and do things their own way.

Producer and engineer Mark Endert not only mixed the lead single from Maroon 5s second album: he also co-produced it and programmed many of the parts.

In an age dominated by software and samples, Jerry Boys has found the perfect niche for his old-school engineering skills: as the first-call specialist in recording world music.

Businesses are using music in ever more sophisticated ways to promote their products and reinforce their identities. Tena Clarks DMI Music leads the field in finding original ways to integrate music into marketing campaigns.

For her second album, Back To Black, Amy Winehouse and producer Mark Ronson crafted a heavily retro sound. Mix engineer Tom Elmhirst describes how he massaged their '60s soul vibe to create a radio-friendly hit in 'Rehab'.

Following last months workshop on dub mixing, we talk to living legend Mad Professor, a world-class exponent of this music genre.

This month we sort out timing issues for a band called Exhibit-1, replace missing snare beats, as well as improving the rest of the mix.