For mixing Kraftwerk's synthetic beats and simple melodies with New York rap, 'Planet Rock' and producer Arthur Baker can arguably be credited with creating an entirely new genre: hip-hop. This is how it happened...
Lately I’ve been thinking that it might be handy to get hold of some omni–pattern dynamic mics. I can imagine they’d provide an interesting alternative in roles such as drum overheads, and the lack of proximity effect should make them useful for close–miking. Do you think they could be useful, and what models would you recommend if so?
Paul Simon's Graceland album combined a huge mixture of musical styles and was recorded in studios all over the world. The man responsible for putting it all together, both sonically and physically, was Simon's long-time engineer Roy Halee. This is how he did it...
Following last month's introduction to reverb, we take you through the tips and tricks of some of the world's best producers, many of whom are thinking about the reverb sound they want long before they get to the mix.
Producers: Devo, Robert Margouleff • Engineers: Robert Margouleff, Howard Siegel
Armed with a subversive view of society and a command of catchy synth-pop, Devo burst into the charts in 1980 with weird classic 'Whip It'. Producer Robert Margouleff talks de-evolution...