Synthesizers

This virtual modular environment can accept patches ported over from the free VCV Rack, and can create virtual patches internally.

Sequencing in Eurorack has always felt like a bit of a problem. How does the Tobinski Sequencer's approach weigh up?

Future Sound Systems’ debut desktop is very much in a class of its own.

The user interface has always been a barrier to FM synthesis. Can Fors’ elegant approach make it more accessible?

Mark J.T. Griffin’s unofficial biography stems from a long‑held interest in and passion for Vangelis’ work.

SED‑CSM, from Berlin’s Rides In The Storm, is a full analogue synth voice, with its own mixer, packed into a big‑but‑really‑very‑small 36HP.

SuperKar+ can produce up to 32 voices and has a bi‑timbral split to offer a Chord voice and a separate polyphonic Solo voice all within the one 12HP module.

The SOS team pick their highlights from hardware and software launches from 2025.

Instruo’s first foray into standalone synthesizers is both ambitious and original.

The Boundary Layer is a module whose design actually harks back to a much more classic synth topology. How will Schlappi fare in the heritage game?

The humble kick drum has come a long way and perhaps we’ve reached the peak with the Ohmforce Bohm “frontier of kick synthesis” system.

This diminutive module combines an envelope with a VCA to accept audio signals and render them, well, percussive.

Like a medieval cathedral, the Redshift 6 is a massively ambitious creation. There are other similarities too...

Sequential’s latest is a miniaturised, analogue, four‑voice polysynth inspired by the Pro‑One and Prophet lines. But does it still feel like a Sequential?

Built entirely from percussion sounds, but not for percussion, Dream Kit: Zenith is a synth like no other.

This is Not Rocket Science (TiNRS) thought it might be nice to create a space, within space, where cosmic entities exist as the elements of a deep galactic reverb.

From Omnitone of Canada, we have a pair of colourful rhythm‑makers that can operate separately, or as a percussive pair.

Fifty years after Don Buchla first released his portable electronic music studio, is the world finally ready for the Music Easel?

GS Music have packed seven voices of analogue polyphony into a box that’s as well made as it is small and blue.

ADDAC511 is a four‑channel distributor of all manner of unpredictability, no matter the scope of your stochastic ambitions.

There are few brands so widely loved as Moog, and as the company changes hands many will be asking what the future holds. Well, we’re about to find out...