SOUND ON SOUND
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Vince Gilligan and Peter Gould’s unique vision of Albuquerque required a unique approach to the score...
We get hands‑on with Novation’s Launchpad Pro Mk3.
The right compressor settings give you endless power to shape the sound and groove of a multi‑miked drum recording.
Asked to pick a favourite sound from his huge discography, Matt Squire nominates the track ‘On My Teeth’ from Underøath’s 2018 album, Erase Me.
Nearly two years after its release, Cat Burns’ single ‘Go’ gave Aaron Ahmad his first major mixing hit.
For Elton John, sorry seemed to be the hardest word. For the sound engineer, it’s something we all have to say sooner or later...
We show you how to get more from Live’s included content.
We explore Logic’s powerful new Track Alternatives.
New York‑based producer Randall Dunn answers the SOS quickfire questions.
We explore some workarounds for getting Studio One to talk General MIDI.
It’s essential to every studio, but acoustic treatment can also affect our health — and that of the planet.
Live sound has been a fascination of mine ever since I did my first live sound job at a pub in Cambridge back when I was at college and around 18 years old.
This set of audio example MP3s illustrate key ideas discussed in the Cubase workshop in SOS August 2022.
Ever had trouble getting a plain DI’d bass guitar to sound right in a mix? Me too, sometimes! But it’s almost always fixable once you understand the issues.
American synthesist Josh Mason’s latest release, Utility Music, is a rather stunning demonstration of the Doepfer A‑100...
Nuno Fonseca of Sound Particles talks about their rapid rise in the film and audio industry and how they are using their sound particle plug-in technology to bring exciting new options to sound design and audio recording.
These audio files accompany August's 'Mixing DI Bass Guitar' workshop.
Marketed by United Plugins, JMG Audio’s Nanopulse is a sophisticated transient enhancer. It applies profiles extracted from a variety of percussive sources to the input signal...
Rating: 4.5/5 Stars. This 32GB Kontakt library presents an unusual Viennese baby grand piano from 1877 by the little‑known maker Franz Oeser.
Korg lovingly recreate a ’70s synth classic.