Line 6 HX One
Why clog up your stage with effects you only use briefly? Line 6’s new stompbox can be any pedal you want it to be, and will fit neatly into any pedalboard setup.
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Why clog up your stage with effects you only use briefly? Line 6’s new stompbox can be any pedal you want it to be, and will fit neatly into any pedalboard setup.
Modelling pioneers Line 6 have breathed new life into their ageing delay unit — but they’ve also retained everything that made the original a classic.
This pedal puts Line 6's flagship Helix processing in a compact stompbox.
Helix systems are converting many guitarists to amp modelling, and the newest of them brings Line 6’s latest algorithms to your DAW.
Eighteen years after the launch of their ground-breaking POD, Line 6’s new flagship amp-modeller looks brimful of promise.
Line 6 follow their Pod X3 and X3 Live processors with this rackmount professional version, the X3 Pro, offering enhanced I/O and dual processing...
The revolutionary Variax modelling guitar is already a uniquely versatile instrument, but now Line 6 have added an extra dimension with the ability to customise almost every aspect of its operation.
Line 6's latest products are USB boxes that turn your computer into a low-latency amp-modelling system.
Expanding on the modelling technology used in their Variax and Variax Acoustic, Line 6 have dropped an octave and turned their attention to the bass guitar. The Variax Bass features 24 models of 'classic' instruments — is it all the bass you'll ever need?
I record guitar using a Line 6 Pod Pro going into a Roland VMC7200 mixing desk via S/PDIF. While the guitar is plugged in, every so often a little audio spike comes through the monitors. Can you tell me what this noise could be and how to stop it?
Line 6 give their PodXT the Pro treatment, adding comprehensive I/O and flexible output configurations to their successful modelling processor.
This new version of Line 6's ground-breaking Pod guitar processor combines improved amp modelling with a host of high-quality effects plundered from the company's range of rack processors.
Two more visually distinctive rack units from Line 6, designed to model the hallowed sounds of antiquity.
Line 6's acclaimed Delay Modeler pedal gets a rackmount makeover.
Paul White steps back in time with the Line 6 DM4, and revisits fuzz boxes through the ages.
At last, an easy way of consistently getting a polished, 'produced' bass guitar sound in your recordings! Dave Lockwood tests a physical modelling processor that bass players and engineers alike will welcome.
Line 6 have released two DSP-based effects pedals that use physical modelling to recreate the echo, delay and modulation treatments of a bygone age. Paul White — who was there first time around — finds out how they measure up to the real thing.
Can this intriguing little box really emulate the recorded sound of many of the world's greatest guitar amplifiers?